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🔥 The VR Content Problem, Becoming Hitchcock, Tribeca Immersive, High-Quality Ambisonics, Alien: Covenant (Newsletter #17)

Dear Reader,After a mini sabbatical, the newsletter is back! The time off was used wisely. In the com


June 3 · Issue #17 · View online
Your bi-weekly dose of fresh ideas and industry reports, delivered to your inbox. Tweets @CinematicVR

Dear Reader,
After a mini sabbatical, the newsletter is back! 
The time off was used wisely. In the coming days, we will double down on educational and creative content. You should now receive this newsletter every two weeks and without fail. It’s a promise. (No longer interested? Aw shucks, here’s how to unsubscribe.)
Another thing. Since the VR/AR/MR/XR/WhateveR cluster jam is being feverishly disambiguated by other folks, I am pleased to say that immersive storytelling continues to be the sole focus at CinematicVR. So if you’re a filmmaker, designer, developer, or simply curious about the changing realities of storytelling…well, this thing is made just for you :)
🔥 In this beefy issue:
Head down below to read more of such great articles. 
Don’t ever say we didn’t spoil you :)
See you in two weeks,

Photo of the Week: Alejandro G. Iñárritu directing “Carne y Arena" / C. Ramirez
Storytelling for a VR Audience, Part 2: Getting Back to 'Boy Meets Girl'
Becoming George Lucas for VR
Iñárritu’s VR Film ‘Carne y Arena’ Simulates a Harrowing Border Trek
The VR Industry, Part 1: Cinematic VR
Virtual Reality: The Content Problem
Demystifying Technical Recruitment in Film, Animation and VR
VR Starred at Tribeca 2017 Film Festival
Warner Bros. Patents AR/VR Design for Full-Immersion Movie Theater Experience
How to Create High Quality Ambisonic Deliverables for YouTube VR
Tips for Filming VR/360 Video
A Guide to 360º VR for Content Creators: Part 1 (Cameras)
Where are the Daydream VR Phones Google Promised?
Alien: Covenant In Utero
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